ATOMOS Shogun Flame - Display Registratore Universale 4K - 2 Anni Di Garanzia

ATOMSHGFL1

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Disponibile in 3/5 giorni

1 729,90 €(iva incl.)

Shogun Flame
Change the way you shoot with Log. Record Log in 4K or HD ProRes/DNxHR from video or raw cameras with the Shogun Flame's HDMI or SDI inputs and thanks to the AtomHDR engine's combination of 10+ stops dynamic range, 1500nit brightness and 10-bit color processing you can monitor the HDR Log with vivid, natural colors.

Get ahead of the log curve
Cameras with Log output (S-Log2, S-Log3, C-Log, V-Log etc) already have the 10+ stops of dynamic range needed for High Dynamic Range (HDR). Be at the forefront of the HDR revolution sweeping the industry by having a field monitor capable of resolving HDR in the field as you see it in Post Production and record the original Log image direct from the sensor for HDR grading in post production.

Scenes ignite with 1500NITS of light
Not all scenes call for HDR Log recording. In situations that don't call for 10 stops of dynamic range, use the intensity of the 1500nit panel to monitor traditional standard dynamic range (SDR/Rec709) video at high brightness for outdoor monitoring.

Simply pick the right mode, HDR or High Bright SDR, and get busy setting up your shot on the premium 7" display boasting 10-bit processing, 1920x1200 resolution, 325ppi pixel density, optional calibration to overcome natural LCD color drift and an arsenal of precision video setup tools for perfect shots every time.

Widest camera compatibility
The HDMI connection is compatible up to 4Kp30 and the SDI connection has compatibity up to 12G ensuring you are future proofed as the SMPTE standard updates. The built-in bi-directional conversion allows HDMI cameras to be integrated into a SDI workflow or connect SDI cameras with HDMI flat panels.

Unlock the RAW from Sony & Canon
Output the 4K/HD Raw from select cameras (Sony FS7/FS700 & Canon C300MKII/C500) over SDI and record direct to 10-bit 4:2:2 ProRes or DNxHR. Capturing Raw using the Shogun Flame is a free feature with no additional licensing costs and lets you immediately take advantage of our affordable media platform bypassing the need for proprietary cards and media.

Record professional 4K & HD
ecording 4K and high frame rate HD within the camera might seem enough but unless you record with the right codec you're restricting flexibility in post and even run the risk of having your footage technically rejected. Along with the high pixel density of 4K, the Shogun Flame records higher resolution 10-bit color information, more precise yet efficient 4:2:2 color encoding and to visually lossless, edit-ready codecs like Apple ProRes or AVID DNxHR. Now you're recording professionally, capturing full individual frames just like film and opening up more creativity in post and grading

Simple OS, Sophisticated Shots
Our flexible OS is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing & exposure (Focus peaking, 2:1/1:1 zoom, Zebra, False Color, Frame guides, SMPTE Safe Area, Waveform, RGB parade, vectorscope) along with a flexible 3D LUT implementation (use built-in LOG to Rec.709 Video or upload .cube files) and options for anamorphic de-squeeze monitoring.

Focus Peeking
2:1 Zoom
Zebra
False Color
Safe Area
Luma Parade
RGB Parade
Vectorscope

Continuous power is back... with super fast charging
Our patented continuous power system pioneered on our HD products are back on the 4K range. The hot swappable dual battery system that automatically swaps to the second battery when power is low, coupled with the blazingly fast battery charger and dual 4-cell batteries (both included with the product) means that continuous power in the field is all but assured.

Monitor & record XLR audio
The Shogun Flame has professional audio to match professional video. Monitor up to 8ch of embedded HDMI audio, up to 12ch of SDI audio or use the included XLR breakout cable to connect with external microphones for balanced analogue audio with 48V phantom power. Audio control is simple with dedicated meters and menus to select channels for recording/ monitoring and adjustments for frame delay and gain.
Record

Advanced recording capability
Outside of 10-bit 4:2:2 ProRes/DNx, the Ninja Flame adds recording functionality not found in other recorders. Trigger start/stop recording over HDMI from select Canon, Sony, Panasonic, Nikon cameras. Convert interlace video from your camera to progressive on the fly with built-in 3:2 and 2:2 pulldown and gain advanced functionality like Pre-roll (continuous cache recording to never miss the action) and Time lapse to maximise your creativity.
Battle-Ready!
For the field

Our built-in armor enhances protection & airflow whilst the raft of accessories (2 x NP series 4-cell batteries, fast battery charger, USB3 docking station, XLR breakout cable, Lanc cable, DC to D-Tap cable, 5 x Master Caddy cases, DC adapter & HDR sun hood) and the premium HPRC flight case ensures you're ready to hit the field immediately.

Weight


Without batteries & media

650g / 22.9oz

With batteries & media

1094g / 38.6oz

Dimensions (W x H x D mm)

214 x 127 x 45mm, 8.4 x 5 x 1.8”

Construction

High quality lightweight ABS Polycarbonate for durability & portability


Built-in armor protection

Power


Operating power

10 - 24W

Compatible batteries

NP-F series and supporting accessories

Input voltage (battery)

6.2V to 16.8V

Battery time (based on 7.4V)

-


5200mAh - up to 1.5hrs (monitor & record 4K 30p)


7800mAh - up to 2.2hrs (monitor & record 4K 30p)

DC In

1 x DC in (6.2 - 16.8V)

Continuous power
** Patent pending

Primary-secondary battery system
Change batteries without losing power
Loop batteries continuously

Touchscreen


Size

7.1”

Resolution

1920 x 1200

PPI

325

Aspect ratio

16:9 native

Color Gamut

REC709 HDTV

Look up table (LUT) support

3D LUT (.cube le format)

Anamorphic de-squeeze

2x, 1.5x, 1.33x, Panasonic 8:3

Technology

SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit

HDR


AtomHDR

Yes

Supported Log formats

Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm

Supported Gamuts

Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut

Bit depth

10-bit (8+2 FRC)

Brightness

1500nit (+/- 10%)

HDR input (PQ/HLG*)
HDR output (PQ/HLG*)

Yes / Yes *
Yes / Yes *

Video input/loop out


HDMI

1 x HDMI (1.4b)

SDI

1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE)

Signal

Uncompressed true 10-bit or 8-bit 422
(camera dependent)

Video output (play out)


HDMI

1 x HDMI (1.4b)

SDI

1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G

Signal

Uncompressed true 10-bit or 8-bit 422
(playback file dependent)

Supported loop out formats


HDMI to HDMI

720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/120,
2160p 24/25/30

SDI to SDI

720p 50/60, 1080i 50/60
1080pSF 24/25/30
1080p 24/25/30/50/60/120*
2160p 24/25/30

Video signal conversion


HDMI to SDI

720p 50/60, 1080i 50/60
1080p 24/25/30/50/60/120*
2160p 24/25/30

SDI to HDMI

720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/120*
2160p 24/25/30

Supported Codecs & frame rates (record & playback)


Raw Record*

Sony FS5/FS7^^/FS700 CDNG
4K DCI; 24/25/30p
4K UHD;
2K; 24/25/30/50/60/100
*/120p*
1080;

Canon C300MKII/C500 CDNG
4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K;
1080;

Panasonic VaricamLT CDNG*
4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K;
1080;

Raw to ProRes / DNxHR

Sony FS5/FS7/FS700*
ProRes (HQ, 422, LT)
DNxHR (HQX, HQ, SQ, LB)

4K DCI; 24/25/30p
4K UHD;
2K; 24/25/30/50/60/100
*/120p*
1080;

Canon C300MKII/C500
ProRes (HQ, 422, LT)
DNxHR (HQX, HQ, SQ, LB)

4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K;
1080;

Video to ProRes / DNxHR
(DNx utilizes a .MOV wrapper)

Codecs
Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB

Frame rates
4K DCI; N/A
4K UHD; 24/25/30p
2K; N/A
1080p; 24/25/30/50/60/100
^/120p^
1080i; 50/60i

Onboard processing


Pulldown removal

24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)

4K UHD downscale for HD monitoring

Yes - Loop-out and playback (Not available in RAW)

Audio in/out (48kHz PCM audio)


HDMI

2 or 8ch 24-bit, camera dependent

SDI

12ch 48kHz 24-bit

Audio

2ch balanced XLR analog in/out
Dynamic range >90dB
Max signal level +24dBu
Max analog gain +52dB
48V Phantom Power for Mic

Remote start/stop


HDMI

Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard

SDI

SDI trigger camera selectable

Other

LANC control - Slave

Playback


Playlist

Yes

Genlock / LTC

Yes / Yes

Recording


Pre-roll record

Yes (HD 8s, 4K 2s)

Custom timelapse

Yes

Meta data tagging

Yes (10 tags available)

Supported media
(Approved List Only)

4K / HD (50/60/120p*)
SSD 2.5”, HDD (7,200 up to 1080p60)

HD
SSD 2.5”, HDD (5,400 up to 1080p30)

Master caddy case

Master Caddy II (included)
75mm x 105mm x 12mm

Master caddy dock

2.5” SATA to USB 2.0/3.0

Supported applications

Supported Applications FCPX/FCP7+ / Media Composer
5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015

XML support

FCPX XML native, FCP7 supported with conversion
(Adobe compatible)

Accessories included

Shogun Inferno unit, Custom yellow HPRC case,
Control cable, XLR input breakout cable, 2x NP-F750
5200mAh batteries, Fast battery charger, SATA 3/2 to
USB 3/2 HDD/SSD docking station, DC to D-Tap coiled
cable, Master Caddy II x 5, 12V-3A AC adapter x 2
(Fast charger & DC power), HDR sunhood

Optional extras

Atomos HDMI cable, serial to USB X-Rite calibration cable, XLR in/out breakout cable

  • Unità Shogun Inferno
  • Case Giallo HPRC personalizzato,
  • Cavo di comando
  • XLR cavo di ingresso breakout
  • 2x NP-F750batterie 5200mAh
  • caricabatteria rapido
  • SATA 3/2 a USB 3/2 docking station HDD / SSD
  • DC a D-Tap a spirale Cavo
  • Maestro Caddy II x 5
  • 12V-3A adattatore CA x 2(Caricatore Rapido corrente continua)
  • parasole HDR