ATOMOS Shogun Inferno - Display Registratore Universale 4K HDR - 2 Anni Di Garanzia

ATOMSHGIN1

Nuovo

Disponibile in 3/5 giorni

2 014,90 €(iva incl.)

Shoot HDR with log cameras

AtomHDR image processing lets you shoot with the high brightness range of your camera’s Log profile while maintaining vibrant true-to-life colors. Conventional monitors lack this capability, displaying the brightness detail of Log but with a washed out image that makes judging exposure difficult. Be at the forefront of the HDR revolution by having a field monitor capable of resolving HDR in the field as you see it in Post Production and record the original Log image direct from the sensor for HDR grading in post production.

1500nit 10-bit
The 10-bit panel resolves more colors (1.07 billion colors compared to 16.7 million for standard 8-bit panels) to ensure smooth color transitions in both HDR and SDR (standard dynamic range) shooting. The 1500nit panel brings HDR to life, accentuating high contrast scenes. While for regular SDR scenes, use the brightness slider to take advantage of the 1500nit screen for hood-free outdoor monitoring.

PQ & HLG playout & input
The AtomHDR engine not only lets you set perfect exposure in the field, you can take a HDR output in either PQ or HLG* standard to compatible HDR screens or accept HDR input from your NLE for mobile grading or for HDR connection from cameras with a PQ or HLG* output

* Available in future firmware updates
4K 60P & HD 240P recording

Shogun Inferno combines high resolution recording, high frame rate recording and playback. Record Video from both HDMI and SDI cameras direct from the sensor to 4:2:2 10-bit ProRes or DNxHR up to an amazing 4K 60p or HD 240p*. Record Raw over SDI* up to 4K 30p either directly to CDNG or record to ProRes or DNxHR. Playback recorded ProRes or DNxHR files via the HDMI or SDI output at the same high frame rates to supporting monitors

* Available in future firmware updates
LOG and RAW over QUADLINK SDI

The QuadLink SDI connections* offer the widest camera compatibility with 1.5G/3G/6G/12G SDI inputs and a single 12G SDI output. Recording RAW* from Arri, Sony, Canon and Panasonic cameras provides 4K functionality not available in some cameras whilst also offers a far more affordable solution in terms of media costs.

* Available in future firmware updates
Simple OS, Sophisticated Shots

Our flexible OS is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing & exposure (Focus peaking, 2:1/1:1 zoom, Zebra, False Color, Frame guides, SMPTE Safe Area, Waveform, RGB parade, vectorscope) along with a flexible 3D LUT implementation (use built-in LOG to Rec.709 Video or upload .cube files) and options for anamorphic de-squeeze monitoring.

Focus Peeking
 2:1 Zoom
 Zebra
 False Color
 Safe Area
 Luma Parade
 RGB Parade
Vectorscope

Inferno features our patented continuous power system - a hot swappable dual battery system that automatically swaps to the second battery when power is low. To support the dual battery system we include a blazingly fast battery charger, two 4-cell batteries and a D-Tap to DC coiled cable to ensure continuous power in the field is all but assured.

The Shogun Inferno has multiple audio options replacing the need for a separate audio recorder. Monitor up to 8ch of embedded HDMI audio, up to 12ch of SDI audio or use the included XLR breakout cable to connect with external microphones for balanced analogue audio with 48V phantom power.

Outside of RAW and high frame rate 4:2:2 Apple ProRes / AVID DNxHR recording, the Shogun Inferno adds recording functionality not found in other recorders. Trigger start/stop recording over HDMI or SDI popular cameras, convert interlace to progressive signals on the fly with built-in 3:2 and 2:2 pulldown or use features like Pre-roll (continuous cache recording) and Time lapse to maximise your creativity.

Our built-in armor enhances protection & airflow whilst the raft of accessories (2 x NP series 4-cell batteries, fast battery charger, USB3 docking station, 2 x input XLR breakout cable, control cable, DC to D-Tap cable, 5 x Master Caddy cases, DC adapter & HDR sun hood) and the premium HPRC flight case ensures you're ready to hit the field immediately.

Weight


Without batteries & media

709g / 25.0oz

With batteries & media

1153g / 40.7oz

Dimensions (W x H x D mm)

214 x 127 x 45mm, 8.4 x 5 x 1.8”

Construction

High quality lightweight ABS Polycarbonate for durability & portability


Built-in armor protection

Power


Operating power

10 - 33W

Compatible batteries

NP-F series and supporting accessories

Input voltage (battery)

6.2V to 16.8V

Battery time (based on 7.4V)

-


5200mAh - up to 1.5hrs (monitor & record 4K 30p)


7800mAh - up to 2.2hrs (monitor & record 4K 30p)

DC In

1 x DC in (6.2 - 16.8V)

Continuous power
* Patent pending

Primary-secondary battery system.
Change batteries without losing power
Loop batteries continuously

Touchscreen


Size

7.1”

Resolution

1920 x 1200

PPI

325

Aspect ratio

16:9 native

Color Gamut

REC709 HDTV

Look up table (LUT) support

3D LUT (.cube format)

Anamorphic de-squeeze

2x, 1.5x, 1.33x, Panasonic 8:3

Technology

SuperAtom IPS panel (capacitive touch),
calibration to Rec.709 with optional calibration unit

HDR


AtomHDR

Yes

Supported Log formats

Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm

Supported Gamuts

Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut

Bit depth

10-bit (8+2 FRC)

Brightness

1500nit (+/- 10%)

HDR input (PQ/HLG*)
HDR output (PQ/HLG*)

Yes / Yes *
Yes / Yes *

Video input/loop out


HDMI

1 x HDMI (2.0)

SDI

Quad link 4 x 3G SDI* or up to 12G single link SDI

Signal

Uncompressed true 10-bit or 8-bit 422
(camera dependent)

Video output (play out)


HDMI

1 x HDMI (2.0)

SDI

1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G

Signal

Uncompressed true 10-bit or 8-bit 422
(playback file dependent)

Supported loop out formats


HDMI to HDMI

720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60

SDI to SDI

720p 50/60, 1080i 50/60
1080pSF 24/25/30
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60

Video signal conversion


HDMI to SDI

720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60

SDI to HDMI

720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60

Supported Codecs & frame rates (record & playback)


Raw Record*

Sony FS5/FS7^^/FS700 CDNG*
4K DCI; 24/25/30p
4K UHD;
2K; 24/25/30/50/60/100/120p
1080;

Canon C300MKII/C500 CDNG*
4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K;
1080;

Panasonic VaricamLT CDNG*
4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K;
1080;

Arri Alexa Mini .ARI*
2880x1620; 24/25/30/50/60p
2880x2160; 24/25/30/50/60p

Raw to ProRes / DNxHR

Sony FS5/FS7/FS700*
ProRes (HQ, 422, LT)
DNxHR (HQX, HQ, SQ, LB)

4K DCI; 24/25/30/50/60p
4K UHD;
2K; 24/25/30/50/60/100/120/200
*/240*p
1080;

Canon C300MKII/C500*
ProRes (HQ, 422, LT)
DNxHR (HQX, HQ, SQ, LB)

4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K;
1080;

Video to ProRes / DNxHR
(DNx utilizes a .MOV wrapper)

Codecs
Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB

Frame rates
4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
2K; N/A
1080p; 24/25/30/50/60/100
^/120^/200*/240*p
1080i; 50/60i
720p; 50/60p

Onboard processing


Pulldown removal

24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)

4K UHD downscale for HD monitoring

Yes - Loop-out and playback (Not available in RAW)

Audio in/out (48kHz PCM audio)


HDMI

2 or 8ch 24-bit, camera dependent

SDI

12ch 48kHz 24-bit

Audio

2ch balanced XLR analog in/out
Dynamic range >90dB
Max signal level +24dBu
Max analog gain +52dB
48V Phantom Power for Mic

Remote start/stop


HDMI

Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard

SDI

SDI trigger camera selectable

Other

LANC control - Slave

Playback


Playlist

Yes

Genlock / LTC

Yes / Yes

Recording


Pre-roll record

Yes (HD 8s, 4K 2s)

Custom timelapse

Yes

Meta data tagging

Yes (10 tags available)

Supported media
(Approved List Only)

4K / HD (50/60/120p*)
SSD 2.5”, HDD (7,200 up to 1080p60)

HD
SSD 2.5”, HDD (5,400 up to 1080p30)

Master caddy case

Master Caddy II (included)
75mm x 105mm x 12mm

Master caddy dock

2.5” SATA to USB 2.0/3.0

Supported applications

Supported Applications FCPX/FCP7+ / Media Composer
5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015

XML support

FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools

Accessories included

Shogun Inferno unit, Custom HPRC case,
Control cable, XLR input breakout cable, 2x NP-F750
5200mAh batteries, Fast battery charger, SATA 3/2 to
USB 3/2 HDD/SSD docking station, DC to D-Tap coiled
cable, Master Caddy II x 5, 12V-3A AC adapter x 2
(Fast charger & DC power), HDR sunhood

Optional extras

Atomos HDMI cable, serial to USB X-Rite calibration cable, XLR in/out breakout cable

All specifications correct when published, subject to E&OE.


24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution


* Available in future firmware updates


*** No HDMI spec for 2K DCI


^ From supported HDMI sources such as gaming consoles and graphics cards.


^^ Optional unit (XDCA-FS7) needed for Raw output.


  • Unità Shogun Inferno
  • custodia personalizzata HPRC
  • Cavo di comando
  • XLR cavo di ingresso breakout
  • 2x NP-F750 batterie 5200mAh
  • caricabatteria rapido
  • SATA 3/2 a USB 3/2 docking station HDD / SSD
  • DC a D-Tap a spirale Cavo
  • Master Caddy II x 5
  • 12V-3A adattatore CA x 2(Caricatore di Fast & corrente continua)
  • parasole HDR